Bibliography
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Books
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Beethoven's Century: Essays on Composers and Themes.
University of Rochester Press, 2008.
Berlioz's Orchestration Treatise: A Translation and Commentary. 338 p.p.,
Cambridge University Press, 2002.
Selected Letters of Berlioz.
London: Faber & Faber, 1995; New York:
Norton, 1997.
Editor. Berlioz, Correspondance
générale, tomes V-VIII. Paris:
Flammarion, 1992-2003.
Berlioz. The Master Musicians series.
London: Dent, 1982.
Skryabin. London: Oxford
University Press, 1978.
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Articles
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'Berlioz's Lost Roméo et Juliette', in Perspectives on Berlioz, ed. Peter Bloom, University of Rochester Press, 2008.
'A New Source for Berlioz's Les Troyens', in Berlioz and Debussy: sources, contexts and legacies: Essays in Memory of François Lesure, ed. K. Murphy and B. Kelly, Ashgate, Aldershot, 2007, pp. 53-65.
'White Heat or Slow Burn? Berlioz's Method of Work', in L'Esprit français et la musique en Europe: Émergence, influence et limites d'une doctrine esthéstique. Festschrift für Herbert Schneider, ed. M. Biget-Mainfroy and R. Schumusch, Hildesheim: Olms, 2007, p. 644-653.
'De l'Opéra au Conservatoire: la géographie musicale sous la Monarchie de Juillet et le Second Empire', in La Maison de l'artiste: construction d'un espace de représentations entre réalité et imaginaire, ed. J. Gribenski, Presses universitaires de Rennes, 2007, p. 164-169.
'Le Roi d'Ys: thèmes religieux et folkloriques', in: Opéra et religion sous la IIIe République, ed. J.-C. Branger and A. Ramaut, Publications de l'Université de Saint-Etienne, 2006, pp. 173-180.
'Georges Hartmann: , « éditeur idéal »,
Musique, esthétique et Société au XIXe Siècle: Liber amicorum Hoël-Marie Fauquet, ed. Damien C olas, Florence Gétreau, Malou Haine, Wavre: Mardaga, 2007, p. 285-298.
'Berlioz Takes the Train' in:
Hector Berlioz: Ein Französe in Deutschland, ed. M. Brzoska, H. Hofer, N. Strohmann, Laaber: Laaber-Verlag, 2005, pp. 237-241.
‘Scotland’s Image for Romantic Composers’, in Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott, ed. G. Munro, S. Campbell et al., Glasgow 2005, pp. 269–279.
‘Pelléas et Mélisande in English: how French is it?’, La Traduction des livrets: Aspects théoriques, historiques et pragmatiques, ed. Gottfried R. Marschall, Paris: Presses de l’Université Paris-Sorbonne, 2004, pp. 531–538.
‘Historical Background’, in A Performer’s Guide to Music of the Romantic Period, ed. Anthony Burton. London: the Associated Board of the Royal Schools of Music, 2002, p. 3-12.
‘Berlioz’, ‘Bizet’, ‘Massenet’, and many other articles for the new edition of the New Grove Dictionary of Music and Musicians, revised edition, London, 2000.
‘Berlioz and Mozart’, The Cambridge Companion to Berlioz, ed. P. Bloom, Cambridge University Press, 2000, pp. 211-222
‘Narrative in Janácek’s Symphonic Poems’, Janácek Studies, ed. Paul Wingfield, Cambridge University Press, 1999, pp. 36-55.
‘Berlioz und Schumann’, in Robert Schumann und die französische Romantik (Schumann Forschungen, Bd. 6) ed. Ute Bär, Mainz: Schott, 1998, pp. 107-123
‘Schubert’s Pendulum’, Durch die Brille, Internationales Franz Schubert Institut (June 1998)
"Saint-Saëns's Caprice Brillant." In
Échos de France et d'Italie:
Liber amicorum Yves Gérard,
ed. Marie-Claire Mussat, Jean
Mongrédien, and Jean-Michel Nectoux,
233-241. Paris: Buchet/Castel, 1997.
"The Outre-Manche in 19th-Century
French Opera." In D'un opéra
à l'autre: Hommage à Jean
Mongrédien,155-162. Paris:
Presses de l'Université de Paris-Sorbonne, 1996.
"How Comic is Comic Opera?" In:
Aflame with Music: 100 Years of Music at
the University of Melbourne,21-29.
Melbourne: Centre for Studies in
Australian Music, 1996.
"Liszt the Conductor." Journal of
the American Liszt Society 38
(July-December 1995): 83-98.
"Rira bien qui rira le dernier!: Panurge
et le comique chez Massenet."
LAvant-Scëne Opèra
163 (1994): 54-61.
"Dr. Mephistopheles: Doctors and Devils
in the Librettos of Barbier and Carré."
Journal of Musicological Research
13 (1-2) (1993): 67-78.
"Berlioz's Messe Solennelle." 19th-Century
Music 16 (3) (1993): 267-85.
"Berlioz and the Metronome." In Berlioz
Studies, ed. Bloom, 17-36. Cambridge: Cambridge
University Press, 1992.
"La Genèse de Benvenuto Cellini"
and "Benvenuto Cellini: commentaire
littéraire et musical."
L'Avant-Scène Opéra
142 (1991): 8-15 and 25-83.
"La voix de l'instrument." In Charles Valentin
Alkan, ed. François-Sappey, 129-40. Paris:
Fayard, 1991.
"La Genèse de Troyens."
L'Avant-Scène Opéra 128-29
(1990):16-24.
"The Prose Libretto." Cambridge Opera
Journal 1 (2) (1989): 155-66.
"Padmâvati: Oeuvre lyrique ou
chorégraphique?" In Albert Roussel: Musique
et Esthéthique, ed. Kelkel, 93-103. Paris:
Vrin, 1989.
"Repeats in Mozart's Instrumental Music." In
Festschrift Wolfgang Rehm zum
60. Geburtstag, ed. Berke and Heckmann,
119-27. Kassel: Bärenreiter, 1989.
" [G-flat major key signature]." 19th-Century
Music 11 (Spring 1988): 221-37.
"More on Alkan's Death." Musical
Times 129 (1988): 118-20.
"Composition" and "The Vocal Scores." In Les
Troyens, ed. Kemp, 45-66 and 212-15. Cambridge:
Cambridge University Press, 1988.
with William Wright. "A Lost Liszt Piano Piece
Recovered." Journal of the American Liszt
Society 23 (1988): 99-100.
"Robert le diable." In Music in Paris in
the Eighteen-Thirties, ed. Bloom, 457-69.
Stuyvesant: Pendragon, 1987.
"To Repeat or Not to Repeat."
Proceedings of the Royal Musical
Association 111 (1985): 121-37.
"Music and Opera." In The French
Romantics, ed. D. Charlton,
353-81. Cambridge: Cambridge University Press, 1984.
"A Fiasco Remembered: Fiesque Dismembered." In
Slavonic and Western Music: Essays for Gerald
Abraham, ed. Brown. Ann Arbor: UMI, 1984.
"Ravel's Unknown Choruses." Musical
Times 124 (1690) (1983): 744-45.
"Lighting the Fire: Skryabin and Colour."
Musical Times 124 (1688) (1983): 600-602.
"Something Borrowed, Something New." In
Pélleas and M&eactue;lisande. Opera
Guide, no. 9. London: J. Calder; New York:
Riverrun Press, 1982, 7-12.
"Hoffmann's Melancholy Tale."
Musical Times 121 (1652) (1980):
622-24.
‘From Opéra-comique to Opéra-sérieux’, Revista de Musicología, 16/6 (1993)], pp. 3113-3121.
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Editions
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Berlioz, Hector, New Edition of the Complete Works, 27 volumes, Kassel: Bärenreiter, 1967–2006
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