Faculty Research Topics

Faculty research interests encompass critical examination of methodology, contextual and phenomenological analysis, Schenkerian theory, rhythmic theory, the music of Brahms, serial analysis, the role of figurative language in apprehending musical works, gender studies, and comparative studies in literary theory. The research of the theory faculty is focused most closely on Western European repertory from the 18th to the 20th centuries. Members of the musicology faculty also conduct research in earlier music and theoretical writings. Washington University has a strong tradition of interdisciplinary study and cooperation. Because our department is small and the program flexible, we are able to offer the serious student a program tailored to unusual interests or special needs. The expertise of several faculty members, combined with the interests and research of the theory/composition faculty, enable the Department to offer an especially strong program of study in 18th-, 19th-, and early 20th-century music. The topics of research include:

  • medieval and Renaissance modal theory
  • the Italian madrigal and Italian sacred music of the Renaissance and Baroque
  • Renaissance and Baroque performance practice
  • Elizabethan and Jacobean music
  • early modern women composers and musicians
  • Bach, Haydn, Mozart, Beethoven, Berlioz, Liszt
  • 18th- and 19th-century program music
  • French opera
  • the history of aesthetics
  • 20th-century aesthetic theory
  • urban ethnomusicology
  • jazz
  • music of the African diaspora
  • cultural theory
  • race and gender in cross-cultural perspective
  • Native American music